92% Amour

All Critics (141) | Top Critics (38) | Fresh (130) | Rotten (11)

As remarkable as Haneke's films are, not a one has been as transcendently generous as Amour, which is nominated for five Academy Awards, including best picture, best director and best foreign-language film.

"Amour" isn't just a great movie, it's a movie that may actually do you some good.

Shot in long, static takes, Amour stares directly into the indignities of old age and the curse of a slow death.

Each actor draws on a lifetime's worth of experience, performing with grace and rare, uncompromising realism.

There's nowhere to hide: The film cuts no corners and stings with the authenticity of life's fragility.

...this deceptively simple film makes clear that death, real death, the kind we all face and most art refuses to address honestly, is relentless and unsentimental.

This is beautiful film, and a terrible one: devastating to stick out, and yet one of the most remarkable romances ever made...

One of the ten best films of 2012.

Amour may not inspire the kind of emotional epiphany that similar illness-driven dramas tend to, the results are still riveting.

Death is part of love's bargain, and Haneke lays this fact bare.

It is hard to recommend Amour. Austrian director Michael Haneke's film cannot justly be described as entertaining, and it will likely leave you sad and weary. But it is a film you must see.

"Amour" isn't easy to watch, but its rewards are many.

"Amour" isn't a fun time out at the movies, and I kind of doubt I'll ever see it again. But it's an amazingly act, absolutely heartbreaking film.

A viewer may want to watch Amour, because it is a work of art.

Relativamente doce para os padr?es de um cineasta acostumado a torturar seu p?blico e a encarar a humanidade com imenso ceticismo, representa uma experi?ncia dif?cil por nos lembrar o tempo inteiro de que todos dividiremos o mesmo desfecho.

A bitter, pitiless piece of work. We can admire its components, but we're repulsed by its vision.

Haneke's self-indulgent approach is getting old to me. His devoted fans will like it, but others will most likely be scratching their heads trying to figure out how this got a Best Picture nomination.

It's upsetting material lined with lead by Haneke, who searches for the meaning of love but can't help but dwell on the details of decay.

Source: http://www.rottentomatoes.com/m/771307454/

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