Source: http://www.thehollywoodgossip.com/2013/04/32-taylor-swift-video-parody-looks-ahead-10-jaded-years/
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Thursday, 4 April 2013
BRAIN initiative launched to unlock mysteries of human mind
Apr. 2, 2013 ? Today at the White House, President Barak Obama unveiled the "BRAIN" Initiative -- a bold new research effort to revolutionize our understanding of the human mind and uncover new ways to treat, prevent, and cure brain disorders like Alzheimer's, schizophrenia, autism, epilepsy, and traumatic brain injury.
The NIH Brain Research through Advancing Innovative Neurotechnologies (BRAIN) Initiative is part of a new Presidential focus aimed at revolutionizing our understanding of the human brain. By accelerating the development and application of innovative technologies, researchers will be able to produce a revolutionary new dynamic picture of the brain that, for the first time, shows how individual cells and complex neural circuits interact in both time and space. Long desired by researchers seeking new ways to treat, cure, and even prevent brain disorders, this picture will fill major gaps in our current knowledge and provide unprecedented opportunities for exploring exactly how the brain enables the human body to record, process, utilize, store, and retrieve vast quantities of information, all at the speed of thought.
Why is the NIH BRAIN Initiative needed?
With nearly 100 billion neurons and 100 trillion connections, the human brain remains one of the greatest mysteries in science and one of the greatest challenges in medicine. Neurological and psychiatric disorders, such as Alzheimer's disease, Parkinson's disease, autism, epilepsy, schizophrenia, depression, and traumatic brain injury, exact a tremendous toll on individuals, families, and society. Despite the many advances in neuroscience in recent years, the underlying causes of most of neurological and psychiatric conditions remain largely unknown, due to the vast complexity of the human brain. If we are ever to develop effective ways of helping people suffering from these devastating conditions, researchers will first need a more complete arsenal of tools and information for understanding how the brain functions both in health and disease.
Why is now the right time for the NIH BRAIN Initiative?
In the last decade alone, scientists have made a number of landmark discoveries that now create the opportunity to unlock the mysteries of the brain. We have witnessed the sequencing of the human genome, the development of new tools for mapping neuronal connections, the increasing resolution of imaging technologies, and the explosion of nanoscience. These discoveries have yielded unprecedented opportunities for integration across scientific fields. For instance, by combining advanced genetic and optical techniques, scientists can now use pulses of light in animal models to determine how specific cell activities within the brain affect behavior. What's more, through the integration of neuroscience and physics, researchers can now use high-resolution imaging technologies to observe how the brain is structurally and functionally connected in living humans.
While these technological innovations have contributed substantially to our expanding knowledge of the brain, significant breakthroughs in how we treat neurological and psychiatric disease will require a new generation of tools to enable researchers to record signals from brain cells in much greater numbers and at even faster speeds. This cannot currently be achieved, but great promise for developing such technologies lies at the intersections of nanoscience, imaging, engineering, informatics, and other rapidly emerging fields of science.
How will the NIH BRAIN Initiative work?
Given the ambitious scope of this pioneering endeavor, it is vital that planning for the NIH BRAIN Initiative be informed by a wide range of expertise and experience. Therefore, NIH is establishing a high level working group of the Advisory Committee to the NIH Director (ACD) to help shape this new initiative. This working group, co-chaired by Dr. Cornelia "Cori" Bargmann (The Rockefeller University) and Dr. William Newsome (Stanford University), is being asked to articulate the scientific goals of the BRAIN initiative and develop a multi-year scientific plan for achieving these goals, including timetables, milestones, and cost estimates.
As part of this planning process, input will be sought broadly from the scientific community, patient advocates, and the general public. The working group will be asked to produce an interim report by fall 2013 that will contain specific recommendations on high priority investments for Fiscal Year (FY) 2014. The final report will be delivered to the NIH Director in June 2014.
How will the NIH BRAIN Initiative be supported?
In total, NIH intends to allocate $40 million in FY14. Given the cross-cutting nature of this project, the NIH Blueprint for Neuroscience Research -- an initiative spanning 14 NIH Institutes and Centers -- will be the leading NIH contributor to its implementation in FY14. Of course, a goal this audacious will require ideas from the best scientists and engineers across many diverse disciplines and sectors. Therefore, NIH is working in close collaboration with other government agencies, including the Defense Advanced Research Projects Agency (DARPA) and the National Science Foundation (NSF). Strong interest has also been expressed by several private foundations, including the Howard Hughes Medical Institute, the Allen Institute for Brain Science, and The Kavli Foundation, and the Salk Institute for Biological Studies. Private industries have also expressed a high level of interest in participation in this groundbreaking initiative.
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Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_science/~3/aA3wpX5QBvc/130402145803.htm
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Wednesday, 3 April 2013
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Source: http://truhearts.com/no-fuss-methods-for-cane-corso-breeder/
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?Hamlet?: hiSTORYstage Spins William Shakespeare's Classic
EDITOR?S NOTE: Dawn Reno Langley is a Durham, NC-based author who writes novels, poetry, children?s books, and nonfiction books on many subjects, as well as theater reviews. She is also Dean of General Education and Developmental Studies at Piedmont Community College in Roxboro, where she oversees the theater program at the Kirby Cultural Arts Complex, and a member of the Person County Arts Council. To read all of Dawn Langley?s Triangle Review reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/dawn-reno-langle/. To read more of her writings, click http://dawnrenolangley.blogspot.com/ and http://poetryandgardening.blogspot.com/.
Imagine Cirque de Soleil and Shakespeare and flash fiction and you have hiSTORYstage Theatre Company?s version of The Marowitz Hamlet, which ran March 27-30 at Common Ground Theatre in Durham, NC. Strange combination, right? No stranger than Romeo and Juliet being re-composed as a gang war set in the boroughs of New York City, circa 1957. Everyone has a favorite way of re-envisioning Shakespeare?s classics and Charles Marowitz?s interpretation of the classic story of the young Hamlet dealing with his father?s murder and his mother?s infidelity, shortens the original five-act play, sometimes running it as a stream-of-consciousness story that somehow gives more depth to the underlying current of insanity the Shakespearean classic embodies.
The hiSTORYstage production of the play, set in a theater-in-the-round staging accented by a Cirque de Soleil hanging drapery, offers both a distinctive and unusual spin on the story. When the play opens, young Hamlet (Clint Lienau) lies on a pallet placed center stage, the hanging drapery wrapped around him like a bedspread. When he tosses it off at the first sight of the ghost of his father, the late King Hamlet of Denmark (Wayne Burtoft), the viewer think that the drapery might get in the way of the performance. Instead, it takes on its own life, becoming a pseudo-character, sometimes acting like a rope, sometimes acting like a curtain, and at still other times acting like a noose. After the initial introduction to the prop, the audience is instantly drawn into the tragedy studied by students for hundreds of years.
Director Rebecca C. Blum turns a unique performance of Marowitz?s version into a well-acted and cast performance with both seasoned actors and stage ?virgins? collaborating to create a play where the timing is as important as the soliloquies. Hamlet?s Ghost, played by Wayne Burtoft, is the conscience of the play; and it requires both a stately persona and a resonant voice in order to be believable. Burtoft provides both, as well as a substantial appearance that underscores the commands he utters to his son, especially when he demands that Hamlet seek revenge for his ?most foul and unnatural murder.?
Other characters are also well-cast, including the tenderly insane Ophelia, played with sensitivity (and a voice) by Stephanie Rinehart. Her portrayal is not only accurate but believable. Though the playbill states this is her first journey into Shakespeare?s world, it appears she has laid a strong foundation for her acting career prior to this performance.
Rosencrantz and Guildenstern, played with a bumbling, joined-at-the-hip, and frantic nature by Diana McQueen and Ruth Berry, are Marowitz?s statement on the ?absurdity of life?; and it is that philosophy they embody throughout their disconnected statements on Hamlet?s life and actions. Both women are also new to the stage, yet their timing offers verve to the sycophantic duo responsible for transferring messages between kingdoms.
As the cheating Gertrude, Sarah Schmitt exercises her years of acting experience and gives credence to the confusion Gertrude feels. It is around this indiscretion that the play revolves, and Schmitt is a believable regal woman caught up in the all-too-human act of falling for another man while married to a powerful politician. When she looks up at R. Alex Davis?s Claudius, her passion for him is palpable. That complex passion is underscored by the casting of Davis, a character who appears to be the ?boy toy? to King Hamlet?s older statesman. As the preening and conceited Claudius, Davis is sufficiently dislikable, as he should be.
Laertes (John Minervino) struggles with his allegiance to Hamlet and his tendency to overprotect his sister, Ophelia; and though his time on stage is fairly short, Minervino meets the challenge of meandering into conversations and offering a moral high point to the fairly dysfunctional families.
The young Hamlet, bewildered and angered by his mother?s murderous intentions, is one of the most complex of all Shakespearean characters to play. The many soliloquies and subterfuge prescribed to Hamlet requires an intensity and a depth few actors can reach at a young age. This Hamlet, played by Clint Lienau, appears more nervous and confused than intent on gaining revenge for his father?s murder. At times, his slight frame appears to collapse in on itself rather than to puff up and strengthen. Though Lienau?s acting is adequate, this is the one character that may have benefited from a better casting decision.
The one character who is absolutely perfect in his role is the Clown, Seth Blum, a veteran of many Shakespearean roles and husband of the director. As Hamlet?s ?mirror,? the Clown gives voice to the young prince?s imagination and questionings. Blum blithely offers commentary on the actions of the other characters, as well as snippy advice to young Hamlet. He brightens the stage with his antics and evidences a strong capability of acting the wise fool that is a Shakespearean standard.
Though the strobe light sequence is not only unnecessary but, at times, disturbing, the set lighting worked to dramatize the play?s abridged scenes. By punctuating the scenes that often drifted in and out of one setting and one character to another, the lighting assisted the audience in understanding how swiftly the Marowitz version of the play moved throughout an otherwise interminable five acts. One supposes that one artifice (the Cirque de Soleil drapery) might have been enough for this nonlinear summary; however, the strobe did serve to remind the audience of the postmodern elements of Marowitz?s version of the tragic Hamlet.
THE MAROWITZ HAMLET (hiSTORY Stage, March 27-30 at Common Ground Theatre in Durham, NC).
SHOW: http://www.historystage.org/The_Marowitz_Hamlet.html.
VIDEO PREVIEW: http://www.youtube.com/watch?feature=player_embedded&v=qX6P1gpYQsI.
SEASON: http://www.historystage.org/Season.html.
PRESENTER: http://www.historystage.org/Home.html.
VENUE: http://www.cgtheatre.com/.
OTHER LINKS:
The Marowitz Hamlet (play): http://www.dramatists.com/cgi-bin/db/single.asp?key=4474 (Dramatists Play Service, Inc.).
Charles Marowitz (playwright): http://en.wikipedia.org/wiki/Charles_Marowitz (Wikipedia).
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Monday, 1 April 2013
Obama, family attend Easter services near the White House
WASHINGTON (Reuters) - President Barack Obama and his family walked to church on Sunday for Easter services across from the White House.
Wishing "Happy Easter" to onlookers, Obama, his wife Michelle, and their daughters Malia and Sasha, strolled through a park to St. John's Church, where they have attended services before.
Their presence at the nearby Episcopal church had not been announced in advance, and the minister, Rev. Dr. Luis Leon, admonished some gawking and picture-taking churchgoers during the service to return to their seats.
Leon used his sermon to encourage parishoners to look forward and not be stuck in the past, and he added a political edge with criticism of some right-leaning conservative Christians.
"The captains of the religious right are always calling us back, back, back," he said. "For blacks to be back in the back of the bus, for women to be back in the kitchen, for gays to be in the closet, and for ... immigrants to be on their side of the border," he said.
Obama has made immigration reform a goal of his second term, and the themes of women's equality and gay marriage were major issues during his 2012 re-election campaign.
After the service, braving a light rain, the Obama family walked under umbrellas back to the White House.
The Obamas have not joined a church since moving to Washington from Chicago in 2009. They have visited a handful of churches in the city but do not attend regularly.
(Reporting by Jeff Mason; editing by Christopher Wilson)
Source: http://news.yahoo.com/obama-family-attend-easter-services-near-white-house-190557018.html
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